In a world now overflowing with 'content,' standing out is critical to breaking through.
And while almost all digital marketers are aware of the challenge that presents, the solution chosen simply extenuates the very issue it was designed to fix. Unfortunately, too many people see the answer to standing out and achieving reach as becoming a 'shout louder'. But that’s an approach that misses so many critical strategic objectives.
Maturing markets, as the 'content market' now is, require subtlety of approach and refinement. A campaign plan based on an unconnected series of 'big bang' content is unconnected from the very audience for which it was really designed to attract and retain.
The answer to this disconnect lies in something I call 'content flow', or 'content dynamics', and this post is designed to share the concept to allow you to give it a go.
What is content flow?
"The whole is greater than the sum of its parts." - Aristotle
This quote eloquently 'sums' up the true value of content strategy. Your content marketing strategy is not hundreds or thousands of connected stories. It's one story with a lot of scenes.
The only way of creating any kind of long-term connection with your audience is to introduce variation into your content strategy and connect those important bigger campaigns, or pieces, together using smaller pieces. The best way of visualizing this is to imagine the smaller 'everyday' content pieces you produce as 'whispers' that keep the campaign alive in between the larger, campaign-led 'shouts'.
The music of content flow
To understand how to create the variation any good content strategy needs to work, we should look for a moment to some of the greatest content creators to have lived: classical music composers—the masters of the concept of 'whispering' and 'shouting' to create impact.
Listen to any 'great' piece and you will immediately notice that it has quieter periods followed by great crescendos, utilizing something called dynamic note velocity to create an absorbing 'journey' through the composition.
We can clearly see this is we look at the sound wave profile of such a piece. Below is a Beethoven composition with clear crescendos and diminuendos that make the piece so absorbing. This is why classical 'songs' can go on for so long without losing your interest.
If this were content strategy, or an editorial plan, the 'peaks' would be those 'big bang' campaign ideas, while the 'troughs' would be the 'everyday content' that glues your big ideas together in a seamless and absorbing way. The result is a coherent composition that allows the user to feel the full range of your content marketing strategy and still experience it as a whole.
Content dynamics in marketing
Given that we now understand how content flow works in a musical context, we must now look at how those key principles can be applied to content marketing. The first step in creating the right flow of content is in understanding its importance, but the second is in the planning and measurement of your own work.
To do this you should start at the beginning, with the ideation process. It's critical here to have a sound process for coming up with ideas that produced, consistently, enough of the right ideas that can fit the 'peak' and 'troughs' concept.
This is something I have worked on for the past ten years and the resulting process is something I have shared right here on Moz previously. Since that time, however, the process has been updated even further and you can find the latest version here.
This process is designed to ensure you have enough of each type of content to enable the second phase—editorial planning.
Building your editorial plan
Once you have enough content ideas from your brainstorm the next phase is to begin 'grading' them into either 'small', 'medium' or 'large' ideas. You can do this manually as I'm about to explain now, or make use of the free and brand-spanking-new Zazzle Media Content Flow Generator tool, which is designed to do the hard work for you.
Manual testing
To test out your best laid content plan is a simple process and it begins at the initial ideation phase.
Once you have your initial list of ideas, you should note them down in a simple Excel column. I've created an example below with some ideas for a fictional finance brand.
In the right hand column you will see a number. There is no 'science' here, just a simple scoring system to highlight the 'size' or, more precisely, the amount of time and resource that will go into the creation of each piece.
The purpose of this is to enable the plotting of your content on a chart that will allow you to understand how it flows.
The next stage is to then plot the suggested publication dates so you end up with something like this:
From here select the dates and scores and select the 'Charts' function from the menu bar of Excel (I'm using Mac in this example).
Select the 'Line' option and you should see the data in a chart that looks a little like this:
You can then use the various formatting options to make it more clear, or play with the numbers, more importantly, to get the 'flow' right.
The 'right' wave dynamic
Of course, you need to know what it is you are looking for to be able to decipher if your initial content plan is laid out correctly.
In simple terms there is no 'perfect' shape as every business has different objectives but whenever in doubt we should refer back to the initial learning from those classical pieces.
The strategy should be to create a handful of 'big bang' ideas per year surrounded by a cacophony of brilliant everyday content, which both entertains and informs and ties together your symphony.
The work above should then create something that looks like the chart below. The important part is in ensuring that the 'big bang' campaign ideas are evenly spaced and do not drown out the overall picture. There are few worse mistakes then simply creating a large number of 'big' ideas as we discussed earlier in the post.
The reason for that is simple and it comes back to the same rules as those that are applied to TV, radio and print when it comes to achieving perfect 'content flow'.
Learning from print
We can reverse engineer this in practice by taking a look at how something like a magazine is put together. Having worked in the industry for many years I know first hand how content works over the long term, and it's all about consistently delivering surprise and variation.
The best place to find this is on the cover. An example of this can be found below with this Men's Health cover:
You can clearly see how the cover lines correspond to the needs of the audience:
- Those that want to improve their body
- Those that want to improve their mind
- Those that want to be better lovers
And you can clearly see that the editorial team understands its audience in great detail and knows precisely how to deliver content in a way that keeps all elements of its readership entertained and informed.
That doesn't happen by accident. It starts with the persona creation process to segment the key interest sets. These then manifest themselves as regular 'cover sells' or 'content pillars' as I like to call them.
These concepts are then covered monthly within the editorial plan and how each key subject is covered will vary each time it is covered. So, in month one the 'improve your body' concept will be covered in a long form feature, looking at something like 'the science of muscle growth', while the next month it may be a quick-fire, shorter piece forming a 20-minute circuit training session. It's this variation that creates 'content flow'.
If you want to learn the tricks yourself all you have to do is reverse engineer a couple of magazines. To do that all you need is a 'flatplan' template – or the document many editors use to plan out the 'flow' of their issue.
You can then take a copy of the magazine from your sector and mark off the general schematic make-up of the edition a little like the example below:
You can then simply test that 'layout' for your own digital strategy.
Mobile
The testing phase shouldn't simply stop at your overall plan, however, as content consumption is quickly becoming a 'mobile first' game. That means that thinking about how you plan your strategy for the various devices is also critical to success to ensure that the way in which you cover your key 'pillars' creates a compelling mix of content types for ALL devices.
I wrote about this aspect of the content strategy in this earlier Moz post if you want some more detail.
Final plan
Like anything in digital there is no 'perfect' template to use when it comes to planning the right delivery for your brand but by sticking to the principle of 'ebb and flow' in your content flow and working hard on ideas you will quickly see how easy it is to grow a truly valuable, and engaged audience, over time for your site.
Six steps to nail your content plan
For those that like steps to work to this is the general process I work to:
- Start with a data dig to establish your key audience personas. Utilize a good persona template to record the key information.
- Work through a structured content ideation process to ensure you create ideas pinned to the key audience need.
- Work this data into a content plan and record in a calendar.
- Test how that content 'flows' using the checker tool I mentioned earlier. You find help as to how to lay your content out from magazines.
- Run the plan over a six-month period and then review based on the changes you have seen in key engagement metrics such as bounce rate, returning visitor numbers, time on site, etc.
- Change and repeat, constantly looking for the right ebb and flow for your audience and commercial goals.
Having got this far, I genuinely hope you are now keen to integrate content flow checks into your overall content strategy and marketing process. With most content discussions surrounded by 'data' and 'ideas' it is useful sometime to step back and remember that it is, ultimately still an art form, and always will be. That means you must ensure that any strategy you create is focused in not just on the buzzwords but the foundation too. By doing this you'll turn your content creation process from a gaggle of ideas into a true symphony for your audience to enjoy.
And if you want to have a go yourself, here's a reminder of that free Content Flow Checker tool. Click below to try it out on your strategy and let me know how you get on.
To continue your music metaphor, modern popular music has become more and more compressed. That means the differences between the crescendos and diminuendos is decreased, and everything is "flattened." Therefore there are fewer "dynamics," or ebbs and flows, and as a result everything is louder. Sure, classical music and even music from the 60s and 70s were full of broad dynamics, but today's music producers (at least on the major-label pop level) seem to think all we want is constantly pounding, over-produced music. In the digital marketing world, this could be a website or business that is constantly "shouting", producing more and more "big bang" content without any of the "whispers" or "ravines".
As a music lover, I'd love to see a return to broader dynamics and more artful composition in popular music. But listeners seem to have been conditioned over the last several decades to prefer over-produced and highly compressed music. I wonder if in the modern digital world, with social media and smart phones, people are becoming conditioned as well to a kind of "compressed, over-produced content". Is it possible that a content strategy with too many ebbs, flows and "dynamics" could confuse, bore, or even turn off your target audience?
I've probably taken the music metaphor way too far. Your point that "The only way of creating any kind of long-term connection with your audience is to introduce variation into your content strategy and connect those important bigger campaigns, or pieces, together using smaller pieces" I think is very profound. A strategy with only big pieces isn't very sustainable, and you could find soon that you've exhausted all your "big ideas" and are left with only the smaller pieces.
Thanks for the article--I look forward to test driving your new tool and "composing" some content strategies of my own.
Perfect analogy.
Thanks for the considered reply Adam - and I agree entirely with the note about the flattening we are seeing in music at present - bring back the ebb and flow! (dance music still uses it but pop seems to have lost its way).
Let me know how you get on too in testing the process out.
OMG i´ve been blind so many time, .I ignored all this great content!!
According the Google Webmaster guidelines your 3 main area of focus should be: design & Content, technical aspects of your site (robot.txt file, session ID’s & testing in multiple browsers) and the quality of your website and content that focusing on high quality content that is related to your websites is the most important goal you should have. So if you have quality practices, quality content and user – driven policies your website should rank well. Thanks! Simon, discus for Zazzle tool & content flow. its very beneficial for content Marketing strategy.
I don't know zazzle tool. I'm going to get it to use in all my websites. I think that the good and quality content is the most important thing in SEO. Without good content there is not traffic. This is the true.
Thanks for the information. Loving the looks of the zazzle tool. I think I will give it a shot for my blog
No problem and I hope it proves to be useful for you.
Think of content strategy as digital curation. Its imperative to see how peices fit together to develop the whole to be greater than the sum of its parts (nice analogy, by the way).
Sandy @ WorkadoApp
Great stuff ,Really get to know about very innovative ideas and get a lot of knowledge.
Content flow to classical music… excellent metaphor, Simon! And the Excel editorial plan is brilliant - I really like how you can then align the wave dynamic to match up/support seasonal trends. Definitely trying this out!
As your title shows about Broken strategy, somehow I am too facing it and yet gonna fix it with your tips that sounds good to me.
its so helpful
thank you for sharing this article
Great post!, you give me a different point of view and new ways of innovation.
I really like your point of view :-) Will be for sure useful for content marketing!
Huge contents may rank better but if they don´t responde the user request they are useless
Thank you for the very interesting analogies with music! Excel editorial plan is very good idea. I will apply them to define a content strategy soon. I'll make you a returning Simon.
Zazzle is quite a decent tool, but I prefer Buzzsumo over that
Very interesting perspective to keep the content flowing. There is always a rhythm to the timing. Thanks.
A great article to understand and apply content marketing in a better way :)
I work in content creation, and I've been trying to convince some of my coworkers that detailed planning can go a long way to improving the content that we can produce. You present some interesting ideas about how the content should flow for the client, and I'm going to have to talk this over with some of my coworkers. Thanks!
I hope it helps convince! Good luck!
What I have noticed that most of the people prefer to write a long content while posting a blog. It is because they assume that the long content will increase the reader interest on the blog. But, I think it's a totally waste of time, if there is nothing unique in the content.
According to me, focusing on quality is very important rather than the length of the content.
Content should be unique, valuable, informative, grammatically strong, faqs related (What, why, how, when, where..More) & our target keywords are with flow of content. Definely technically things also matter, website should be responsive design, mobile friendly & Page down load speed. How frequently we are updating our website & social profile with fresh content....all are matter now for ranking.....At last Brand name also matter if you have good brandname easily you can achive your target...........Thanks...
I like your point about the everyday whispers and the larger shouts. A strong campaign needs both. The whispers are necessary to keep the campaign moving.
Thanks Nick - and you are right the 'smaller' connective tissue is very important in ensuring you create a connected content experience.
Great post. I think the audience personas are one of the keys here. Many writers get stuck in their own bubble and what they "think" people want to hear about. You have to get outside of that thinking and really nail down who your target audience is and what they want to get out of your content. Stop being selfish, start being considerate with your content.
I liked the magazine example targeting different interests at the same time. I have never thought about the content flow scores where you mark certain titles more important and potentially longer. In some of the previous comments it is discussed that longer articles are better to rank but can also make the article boring and long winded. I hate to say it but some Moz articles seem overly chatty and don't get to the point. Must be a reason...
Content is definitely subjective and 'storytelling' can be a powerful thing when used correctly. The problem is that right and left brain people prefer different styles of information delivery, which means you'll always struggle to keep everyone happy all of the time!
This is a great way to address things for a number of reasons: It holds readers' interests longer, it gives the content writers flexibility, and it helps cover all the bases for SEO. While studies have shown that articles of 2k+ words rank the best, readers don't always have the patience for that kind of content. By mixing it up, you'll be able to hit the mark for everyone, I think ;)
Thanks for taking the time to read it and I hope it helps!
Simon,
Possibly I missed it but with your content flow measurement tool. How are you weighting your ideas? Is it purely the difficulty of production?
Continuing your music metaphor there is usually a tempo involved, too fast or slow and you loose your audience. Have you found any best practices for time between releases or max time between a "big bang" content release?
Hi Dean. The weighting is based on the time it takes to create and distribute. The effort put into the campaign as a whole. We measure that by hours with something that takes one - 4 hours a 1, 4-16 hours a two and anything over two days a three. The timing breakdown depends entirely on the brand.
In terms of timing fewer is better in my experience. Back when I worked in magazines we would have three big issues a year out of 12-13 in total. That way you can really make them stand out.
It all depends on how much content you create ultimately but around 20% of the content you publish should be 2 or 3 as a rough guide.
Hope that helps.